Barzini is ready to take on the world

Onyeka Nwelue

When Barzini appeared in the New Yorker Magazine in 2018 as one of the Nigerian musicians who changed the sound of global pop, he didn't care much until he saw the joy on his father's face. If he thought of leaving the music scene, that joy won over him. This year, Barzini, born David Amechi Nwobodo, released his first full album entitled “Beloved, vol. 1. "The body of the work contains songs like & # 39; Rush & # 39 ;, alternative rock ballad & # 39; Mirror & # 39 ;, a collaboration with rap artist Arewa, Khenngz, in & # 39; Aisha & # 39 ;, and a gospel track, & # 39; Ulo Npam & # 39 ;.

The songs on the album, eight in total, differ in tone, style and presentation, testifying to Barzini's claims that he produces music that challenges the genre. He wants to "raise the spirits of my listeners, harnessing the power of raw emotion".

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Barzini started making music as a child, but only tried his first professional music production in 2010.

He is driven by curiosity, by the desire to “learn, understand and apply the knowledge I acquire in this world. It is much easier and more rewarding to be curious today, with the advent of the Internet. Sometimes I think to myself: “What a time to be alive!” "

Before choosing to build a music career, Barzini spent most of his time on the four walls of a classroom. And the decision to speed up the music was made without resorting to the fear of failure.

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"As a child, I saw members of the older generation spend their time working and doing things they didn't really want, but needed, due to the economic situation they were in," he says. “The second order effect of this was to push (with good intentions, of course) the younger generation to follow the same“ safe ”line, leading to a life with little or no impact as opposed to a life of uncertainty, but with the possibility of unprecedented change and revolution.

“My decision to seek my curiosity in the arts may have been fueled by a fundamental need for man to understand, define and dominate his environment. However, I am particularly happy with the times I find myself in, because the increase in technology has proved that uncertainty is an inherent part of life. Things change very quickly these days. You think that it is people with a sense of curiosity and admiration that are best suited to the times. "

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Perhaps your lack of fear has also been helped by the support you receive from your parents. They didn't take him seriously at first, but they soon arrived.

"I wouldn't be here without them," he says. “I also started some small businesses along the way, at school and out of school, to support me and my music. It was a difficult journey, but full of lessons and experiences that made me more prepared for the music business today and for life in general. I will not exchange them for anything. "

In music, Barzini is inspired by the acclaimed African giant, Burna Boy. In business, he catches the eye of Zenith Bank president Jim Ovia.

“Although from different worlds,” he explains his fascination with the pair, “these people helped to strengthen my belief that problems / setbacks are opportunities for truly curious people to learn and adapt their knowledge to the world around them; to stimulate rapid growth and inspire generations to come. "

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Barzini is cosmopolitan. He sees the world in different shades, an attitude shaped by his many trips outside Nigeria.

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"Traveling outside Nigeria has taught me humility in a deeper context," he notes. "It is very easy to have a fascist view of the world on any topic when you are confined in a specific environment. But when you travel and see other human beings living lives totally different from the one you are used to, you start to develop a broader perspective and become makes you more flexible and humble with your opinions about reality. Traveling for me is a very educational experience.

"I also learned that nationalism has little to do with the superior quality of the Nigerian Jollof."

Cosmopolitanism is also how he wants to be remembered in Nigeria, as someone whose life was about love, accommodation and humility.

"I imagine a country that is more interested in understanding, respecting and supporting comrades, than intimidating each other with our relative opinions," he says.

After the New Yorker report, Barzini decided to take a break and return to school. The interlude gave him more time to reflect and improve his self-confidence.

"An important lesson I learned is that sometimes, new opportunities are on the other side of your comfort zone," he says. "The ability to trust yourself and your process well enough to consider the opinions of your loved ones in times of uncertainty can be the difference between obscurity and taking advantage of new opportunities."

He continues: "In recent times, I have understood and accepted the transitory nature of all things, so I recognize the futility of trying to define / fix myself. I am a person who is learning, growing and evolving, sometimes slowly, sometimes quickly. That's what I try to portray with the art I create. I hope people can see it and are inspired to go beyond their own limits. Otherwise, I think I will keep trying. "

With the release of his album, Barzini wants to tour Nigeria and Africa. He wants more people to feel the power of his music. "As a child, that's what old musicians did for me," he says, "I want to do this for my people."

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